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essays
by PEGI EYERS

Kinomagewapkong ~ The Teaching Rocks

11/4/2025

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PEGI EYERS


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Painting of Kinomagewapkong © Andres Paabo

​Many diverse peoples now share Turtle Island, and as much as we have roots in Canadian soil, our connection to the land will always be preceded by the much deeper attachments of the original First Nations. Their cultures flourished in a reciprocal relationship with nature for millennia, long before the arrival of Euro-Empire, and evidence of their reverence for the land, both historic and contemporary, continues to surround us today.

The Peterborough Petroglyphs, a sacred site of global importance, is the largest known concentration of Indigenous rock carvings in Canada.  Over a thousand years ago Algonquian-speaking societies that travelled widely throughout the Canadian Shield established this holy place, Kinomagewapkong (The Teaching Rocks) on a worldwide meridian of earth energy, or ley line. 

With the creation of a vast visual library, animals, human figures, spirit beings, shapeshifters and other symbols rich with meaning were depicted on a monumental ridge of crystalline limestone. Red ochre was applied to the carvings, an ancient igneous pigment used for illustration purposes and to consecrate sacred space throughout the Americas.  It is thought that the visual literacy encoded in the carvings communicated tribal myth and memory, individual dreams and visions, cultural teachings and guidance to the First Nations who traversed great distances to this mystical and pristine wilderness place.

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Kinomagewapkong (The Teaching Rocks)

​It was also a sacred site for ceremonies, petition, prayer and healing, as confirmed by the present-day First Nations who claim cultural meaning and stewardship of the Peterborough Petroglyphs site, now an important location for their spiritual resurgence and cultural reclamation. Ceremonies, vision quests, and other events are held regularly at the site, which continues to be a place of pilgrimage for Indigenous and earth-connected peoples from all over the world.

One of the few rock art sites in Canada to be designated a National Historic Site, the Indigenous cosmological worldview and spiritual belief system is depicted with images of turtles, birds, snakes, plant life, items of material culture such as tools and boats, both men’s and women’s fertility, sacred geometry and characters important to the oral tradition.

The audible flow of water under the sloping rock indicates this outcropping to be the home of animate earth and water spirits in-situ, and the naturally-occurring fissures in the rock are thought to have been revered as the entrance to these underground springs and lower worlds. Many of these fissures have been enhanced with petroglyph carving and red ochre, such as that of a woman’s womb, breasts and body.  To the ancient ones it was obvious that women, with their regenerative cycles, performed the same functions as the earth, which was the source of all nourishment, protection and procreative power.

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"Messages by Moonlight" mixed-media by Pegi Eyers with permission

The large figures on the rock that depict kinship, clans or human/animal fusion, the recurring themes of turtle and snake, the importance of the fertility symbols and the relationship of the images to each other, truly come alive through interpretations and narratives by First Nations elders, scholars and wisdom keepers.  

Stunning in their immediacy and evocative expression, these petroglyph masterworks speak directly to us across time and space. Kinomagewapkong is a mystical place that has deep significance to us today as we renew our connection to the Earth, and as allies to First Nations, recognize their foundational claims to the land. 

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Muzzu-Kummik-Quae
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​On the north shore of Stoney Lake, accessible from Peterborough or Havelock, Petroglyphs Provincial Park is open from mid-May to October for day use only. In addition to viewing the petroglyphs and touring the Visitor Centre, there is much to do and explore for the nature enthusiast. Hiking trails meander through the surrounding forests, wetlands and rocky ridges, biking is allowed on the park roads, and there are beautiful woodland spaces for picnics and relaxing. Home to many rare species, sightings of different kinds of wildlife and birds are common in this pristine and magical wilderness.

“The Learning Place," the interpretive and educational centre, is an amazing storehouse of videos, information, hands-on activities and exhibits based on Anishnaabe history and culture. One can browse the Park Store, that offers nature-themed gifts, and books on rock art and First Nations culture. A 20-minute film “The Teaching Rocks” is shown daily upon request, and visitors are encouraged to see the film before visiting the petroglyphs site.

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For Petroglyph Provincial Park hours, facilities, directions and other information:
>Ontario Parks<

Permission to create  work as inspired by Kinomagewapkong, and resource link:
Michi Saagiig Nishnaabeg: This is Our Territory     by Gidigaa Migizi (Doug Williams)

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The Teaching Rocks tell us to care for Mother Earth. 
​They teach of coexistence, of harmony.  The messages are for all.

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The land is filled with places where the Spirit is present. 
​A presence that exists beyond our everyday world.    A presence that is sensed as
a feeling or atmosphere.    Such a place is Kinoomaagewaabkon.
​The Teaching Rocks are alive.    They tell us about ourselves. 

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Artist Pegi Eyers is also the author of  "Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community," an award-winning book that explores strategies for intercultural competency, healing our relationships with Turtle Island First Nations, uncolonization, recovering an ecocentric worldview, rewilding, creating a sustainable future and reclaiming peaceful co-existence in Earth Community. 
Av
ailable from    Stone Circle Press     or     Amazon   

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    ESSAYS BY PEGI EYERS


    We need to tell new stories about ourselves, new myths to guide us forward, and new manifestos that celebrate our integration with the natural world. our archaic spirit needs to rise again in a weaving of timeless myths and stories of growth, regeneration, rites of passage, motion, energy, illumination, magic, decay, and all the earth’s processes that dwell both in us and the more-than-human world.
       PEGI EYERS
    ANCIENT SPIRIT RISING

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    ​PRIMORDIAL REVIVAL

    THE PRIMORDIAL
    ​MOTHERS


    ​MATRIARCHAL VALUES: OUR PRE-COLONIAL HERITAGE

    EARTH MOTHER MAGIC
    ​

    ANIMISM UNBOUND 

    ​CLAN MOTHER LEGACY 

    KINOMAGEWAPKONG/
    THE TEACHING ROCKS
    ​

    GREEN GODDESS


    THE ANCIENT POWERS OF "EARTHING"​

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    Pegi Eyers is a member
    of the largest and most resilient Celtic group,
    the mtDNA-based
    Helena Clan, world clans descended from “Mitochondrial Eve”
    as traced by
    Bryan Sykes in   The
    Seven Daughters of Eve
    .
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    Lascaux Caves
  • Primordial Revival
  • Essays by Pegi Eyers
  • The Ancient Ones
  • Labyrinth Creations
  • Ancestral Mothers
  • Land Art / Botanicals
  • Earth Mandalas
  • Earth Textures / Abstract Art
  • Cast Paper / Mixed Media
  • Handbound Books
  • Miniature Shrines
  • Lens Folio
  • Feral Bio
  • Primordial Resources
  • Lascaux Project