primordial revival
WELCOME TO PRIMORDIAL REVIVAL - the new online home for art focused on the reclamation of deep time worldviews and practices, eco-poetry and essays on ancestral connection, and land art created in collaboration with the living green world. Primordial Revival focuses on the work of Pegi Eyers, an animist living in the Lake Ontario watershed next to the boreal forests of the monumental Canadian Shield. She creates ritual objects, earthen book forms, ancient palimpsests, portable altars, and other sacred art as inspired by her deep time memories and sojourns in wild places.
The content here is rooted in the prima materia, the spirits of the land, the numina or power of place, the symbols of our archaic past, the iconography of the Ancient Clan Mothers, the uncolonized values of matriarchal and Indigenous societies, the somantic pleasures of the sensory body, chthonic desire, and the wonder and awe of animist seeing. The ancestral arts that are being revived today, reflect our communal yearning for a simpler time, arise from the primordial legacy that is stored in our DNA, and express our timeless heritage as people of the land. In our era of cultural collapse and climate chaos, Pegi Eyers is part of a nascent movement that embraces the power of the antediluvian forces reshaping our world. The axiom “all that is old is new again” informs our reciprocity with Earth Community, and recognizes the wisdom and stability of embracing our primeval past.
The content here is rooted in the prima materia, the spirits of the land, the numina or power of place, the symbols of our archaic past, the iconography of the Ancient Clan Mothers, the uncolonized values of matriarchal and Indigenous societies, the somantic pleasures of the sensory body, chthonic desire, and the wonder and awe of animist seeing. The ancestral arts that are being revived today, reflect our communal yearning for a simpler time, arise from the primordial legacy that is stored in our DNA, and express our timeless heritage as people of the land. In our era of cultural collapse and climate chaos, Pegi Eyers is part of a nascent movement that embraces the power of the antediluvian forces reshaping our world. The axiom “all that is old is new again” informs our reciprocity with Earth Community, and recognizes the wisdom and stability of embracing our primeval past.
essay by pegi eyers
Deep Time Rules~!
What is Primordial Revival? Read the keystone essay here.
What is Primordial Revival? Read the keystone essay here.
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A portfolio of original art by Pegi Eyers - 11 works in total - illustrate the pages of Homecoming 5: Art, A Journal of New Animist Writing, an anthology available from Aurochs Underground Press. Pegi's keystone essay Primordial Revival also appears in this Summer Solstice 2025 issue. The essay provides the manifesto for a new genre, and offers the guiding principles for a pre-colonial indigeneity.
>Aurochs Press Store< (digital book/PDF available) >Aurochs Press on Facebook< Based in Bath, UK, Aurochs is a small press set up in 2021 by the author Jack Wolf. Can we consider Ritual as a form of Art, or Art as Ritual? Is it credible to ask whether a spiritual response to something is actually an artwork as well as a spiritual practise? We can certainly argue a narrative can qualify as Art, as creative nonfiction uses language to convey meaning and inspire an emotional reaction on the part of the reader. As a reminder of a Ritual, it can exist, perhaps, in the same space as i.e. the forgotten myths of Chauvet, and all that is missing to make the comparison complete is a piece of visual or tactile Art to bridge the gap between act and memory, working like a photograph to prolong the Ritual experience beyond enactment into the present moment. Pegi Eyers, whose mixed media works appear in this issue of Homecoming, does not claim to do this, but her works speak to a "time before time," seeking to remind us of our pre-civilisational existence in a way that both acknowledges her status as a Settler Canadian and transcends it – a Ceremony in itself. JACK WOLF
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After the Hall of the Bulls,
Lascaux © Jack Wolf |
Aurochs Underground is a small press and literary journal set up in 2022 by the author and recovering intellectual Jack Wolf. It aims to publish high quality long and short form literary and speculative works of fiction and creative non-fiction that draw upon Environmentalist, Socialist and Animist philosophies, and to showcase ways of perceiving and thinking about the Human and Other-than-Human worlds that acknowledge the web of relationship that stretches between humanity and all things. Aurochs Underground aims to function according to an ethical framework that acknowledges the close relationships between Social and Environmental Justice, and which facilitates the dissemination of important ideas which could make the world a better place for all species to live in, while working to further the best interests of both writer and publisher. Buy our Books here.
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Visual artist and exhibition curator Pegi Eyers is an animist and feral who sees the world through a spiritual lens, and is a devotee of nature-based culture and all that is sacred to the Earth. She has developed projects with artist collectives and arts organizations, and has been employed in the cultural sector as an Arts Publicist and Fundraiser. Her work has been exhibited in multiple galleries, juried exhibitions and online collections. She works with diverse media in her studio practice including miniature shrines, papermaking, handmade books and zines, graphic design, embroidery, mixed media, sculpture, acrylic & oil painting, nature assemblage, and digital applications.
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Pegi Eyers is the author of Ancient Spirit Rising: Reclaiming Your Roots & Restoring Earth Community, an extensive volume that engages with social justice, nature spirituality and the ancestral arts. Published by Stone Circle Press, you can learn more about this award-winning book >here< Pegi is an advocate for the recovery of authentic ancestral wisdom and traditions for all people, and she lives in the countryside on the outskirts of Nogojiwanong (Peterborough, Ontario, Canada) on a hilltop with views reaching for miles in all directions.
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