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primordial  resources

primordial resources ~ eco-poetics

1/7/2026

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WHAT IS ECOPOETICS?     >link<   Literary Theory and Criticism

THE RETURN

Picture
The Return

Blue hills rise from the fog

in the pre-dawn light
Our skin pricked cold
breath hanging
like words best forgotten
This is the true homecoming
We know the bedrock here
like our own bones
felt but not seen
except in times of disaster
We left regret behind
in the last village
clinging to the cliff's edge
like a gnarled, salt-stung tree

Remember how you said
you didn't like to travel
but if getting there is hard
it makes arrival that much sweeter
Here the sheep and cows
are anything but domestic
wild, shaggy, ruffled
with eyes like coal embers
storm-blasted, hawk-harried,
they're no easy kill

We leave the car
by the side of the road
and walk into the lifting fog
leaving footprints in wet grass
We climb until we can barely stand
Looking down we imagine
the curve of the earth
We can feel moss growing
between our toes
feel the pulse of waves
through the soles of our feet
Now you understand
what home feels like
and wonder where
you've been all this time.

Tanah Haney      www.springpeeperpoetry.ca

ROOTED TO THE SKY

Picture
Rooted to the Sky 

I’m happiest
among trees
near water
or woods
by a meadow
or a thicket

by a bog
or a bush
of maple trees
tapped for spring sap

I belong in the
wild woods

I’d gladly
become
a paper birch

with a nest
of baby robins
in my leafy hair

my unfurling buds
stretching sunward
for sweet kisses

my roots
exploring rich depths
of loamy soil

filaments and tendrils
communing
with poplars and sumac

I’d swing and sway
through the seasons
my heartwood
rooted to the sky

Chris Cavan, We’Moon 2025 Gaia Rhythms for Womyn: Growing Edge

THE WILD WAITS

Picture
Art by Sarah Jarrett
The Wild Waits

The wild is not just out there, waiting.
It is here, under skin, in bone,
in the pulse that refuses to be tamed.
No matter how much concrete we pour,
no matter how many times we silence ourselves,
the wild waits.
Patient. Fierce. Loving.
And when we let it rise,
we remember who we were
before the world told us otherwise.

​
​Brigit Anna McNeill, social media August 2025

WE ARE GATHERERS

Picture
"The Hag” Meraylah Allwood
​We Are Gatherers

We are gatherers,

the ones who pick up sticks and stones
the old wasp’s nests fallen by the
door of the barn,
walnuts with holes that look like
eyes of owls,
bits of shells not whole but lovely
in their brokenness,
we are the ones who bring home
empty eggs of birds
and place them on a small glass shelf
to keep for what? How long?
It matters not. What matters
is the gathering,
the pockets filled with remnants
of a day evaporated, the traces of
certain memory, a lingering smell,
a smile that came with the shell.

Nina Bagley  

Crow carries the memory

Picture
Crow Carries the Memory
​
I never go looking for crow feathers.
They are given.

Found along the path,
caught in moss, resting on the dark soil as if the bird has just stepped out of its body and into air.

Crow does not lose feathers carelessly.
So when one lies before me, I take it as a small nod from the unseen world, a quiet acknowledgement.

In the old way, feathers were not ornaments.
They were messages.
Breath made visible.
Sky made touchable.

Crow carries the memory of everything-
death and birth, shadow and light, the places between worlds where our ancestors still walk.

When I find these black feathers,
I feel watched over… not by something above me,
but beside me.
As if the land itself has eyes.
I bring them home like stones or bones,
simple offerings from the wild, and place them with the things that matter.

Not decoration.
Connection.

A reminder that I am never walking alone,
that the old ones still speak, and that sometimes their language is only a single dark feather
lying quietly on the earth.


Wild Spirit Weaver

EXPLANATION

Picture
"At the Threshold of Wild Belonging" Doug Van Houten
Explanation

Finally I just gave up and became an animal.
I slept when I was tired,
sometimes dropping in mid-stride,
curling into a knot on the sunny floor.
I ate raw food at odd hours,
wiped my mouth on the back of my hand,
stopped brushing my hair.
The phone rang, but I didn’t answer it.
Mail lay unopened on the stairs. Flowers
drooped in dry pots. Dust sifted down
from the ceiling in hazy swirls.
​I left the windows open.

After a few weeks I grew
accustomed to it, sank deeper
into my actual body, learned to love
the hours as they passed.
I let go of the spinning
human world and walked in the hills at night 
under a changing moon.
Deer swung their heads toward me. 
I sat beside them in their beds of creaking grass
listening to crickets ticking in the heat.
I cooled my skin in the ocean, licked 
the crusted salt from my arms.
In time, my throat forgot to speak, 
it lost the bright angles of consonants,
the dark sloping vowels. It joined the chorus 
of mute life with a kind of hum.


Molly Fisk

MY SOUL IS NOT LIGHT

Picture
Art by Sarah Jarrett
My Soul is Not Light

I used to think my soul was light- ephemeral, untouchable, fragile.
Something that floated above the ache of being human.


But now I know my soul is soil.

It holds hundreds and thousands of composted ancestors, stories,
griefs, and tender survivals.

It is dark and fertile,
alive with what has been broken down and transformed holding seeds
​of truth and longing.


My soul is not light-
it is the ground that longs for it.
Soil turning toward sun,
tea-coloured, unfurling,
becoming.

​Brigit Anna McNeill, social media October 2025

the wild taught me this

Picture
Art by Lucy Campbell
​The Wild Taught Me This

For a long time, my heart learned how to go quiet.
Not because it was weak,
but because it was paying attention.
It tightened like soil in drought,
pulling its tenderness inward,
keeping the most vital waters underground
until the world felt safer to drink from again.
The wild taught me this.
Damaged land does not rush its repair.
It waits for cover, for rest, for the return of birds and fungi and rain,
and then, without fanfare,
it begins to green.
So does the body.
So does the heart.
What withdrew to survive
can return for living, slowly,
when safety is something we begin to grow beneath us again.

​
Brigit Anna McNeill, social media December 2025

we were of the earth

Picture
We Were of the Earth

Why’d they fence the commons?
Why’d they burn the witches?
​And work so hard to end

The Earth-based traditions?
Why’d they kill the languages
And subjugate the women?
And claim it was in the name
Of God and religion?

It’s our birthright to remember
‘Cause the roots remain
The roots remain

We still are
Nature, living herself as human
We are Nature
Living herself as human.....

selections from a song written by   Andy Fischer-Price,
inspired by his participation in "Before We Were White" 



SHADOW STILLNESS HERON

Picture
Shadow / Stillness / Heron

In the quiet places, where light thins and the world listens, the heron waits.
Not hidden — held.
Shadow is not absence here, but depth.
Stillness is not emptiness,
but awareness gathering its breath.
This stone carries the memory of standing between waters and air,
between what moves
and what knows when not to.
shadow · stillness · heron
A companion for those who walk softly,
who trust the long pause,
who listen for what rises
when nothing is forced.

​Wild Spirit Weaver

the intelligence of decay

Picture
The Intelligence of Decay

​I lay my body on the forest floor
to remember what the ground already knows.
Beneath me, lives are loosening themselves back into soil,
wood softening into humus,
leaves surrendering their shapes,
lichen stitching air to bark.
The forest does not hurry this work.
It trusts the long intelligence of decay.
I am learning to trust it too.


Brigit Anna McNeill

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    PictureThe Westray Goddess, the oldest human form found in Scotland. (Orkney Archipelago)
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    We live in what we pridefully call civilization, but our laws and machines have taken on a live of their own; they stand against our spiritual and physical survival.   
    ERIC WOLF

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    Ancestral Future
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    If  what a tree or a bush does is lost on you,
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    You must let
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    When the ancient seers looked upon the world, what did they see? 
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    It is not so much
    the Birch Tree  that is important as it is....
    seeing the magic in the Birch, its soul qualities.

    ROBERT SARDELLO

  • Primordial Revival
  • Essays by Pegi Eyers
  • The Ancient Ones
  • Labyrinth Creations
  • Ancestral Mothers
  • Land Art / Botanicals
  • Earth Mandalas
  • Earth Textures / Abstract Art
  • Cast Paper / Mixed Media
  • Handbound Books
  • Miniature Shrines
  • Lens Folio
  • Feral Bio
  • Primordial Resources
  • Lascaux Project